Richard Pousette-Dart, installation, Pace Gallery, NYC, 2014

Another museum quality revelatory show arrived this week in Chelsea, the exhibition of late paintings by Richard Pousette-Dart at Pace through January 10, 2015. One of the youngest of the first generation New York School painters, Pousette-Dart continued to refine his approach to painting into the early 1980s, creating a body of late work that, more than 40 years later, remains singular and potent. Not unlike the severity and radically of Rothko's last work, these paintings are an important departure from Pousette-Dart's earlier gestural works, and a tougher, highly simplified elaboration of his more overtly "cosmic" pointillist paintings from the 1960s. Here the artist achieves a full realization of the metaphoric power of elemental form, creating undulating particular surfaces that coalesce into simple geometric configurations, while maintaining the sensation of perpetual flux. As Pousette-Dart worked his way out of the illustrative mindset of surrealism, he began to construct iconic objects that for him embodied pure transcendental energy. If these paintings in their boiled down immediacy look quite contemporary, which they do, they also remind us in their unabashed commitment, just how much courage it took to make them.

Richard Pousette-Dart, Time, Space, Window, 1982-83, 62 x 89 inches, acrylic on linen

Richard Pousette-Dart, Presence Number 3, Black, 1969, 80 x 80 inches, oil on linen

Richard Pousette-Dart, Radiance, Blue Square, 1978-80, 50 x 72 inches, oil on linen

Richard Pousette-Dart, Black Circle, Time, 1979-80, 90 x 90 inches, oil on linen

Richard Pousette-Dart, Transcendental Red, 1982, 50 x 72 inches, oil on linen

Richard Pousette-Dart, Eye of the Circle, 1975, 44 x 83 inches, oil on linen


GONÇALO IVO at Galerie Boulakia, Paris

CONGRATULATIONS Gonçalo - wish I could be there with you!

GONÇALO IVO - Paintings
December 1, 2014 - January 5, 2015

Gonçalo Ivo, 2014, oil on canvas


CHRIS MARTIN on Abstract Painting

Chris Martin has written a beautifully poetic and true piece in the Brooklyn Rail about abstract painting.  He perfectly articulates our shared endeavor -- read it HERE
Chris Martin, 2014

Thanks Chris



RICHARD NONAS at Fergus McCaffrey, NY

Richard Nonas, installation view

There is a rare and welcome opportunity to see the work of Richard Nonas at Fergus McCaffrey through October 25, 2014. This exquisite show includes a vast array of works from 1970 to the present. Nonas regards sculpture as inseparable from space, so although each piece operates independently, they are installed to orchestrate our experience of the whole. The space that surrounds the piece is as important as the piece itself, and the activation of the space by the placement of the various works and their interactions becomes a prime source of resonance. The pieces might be regarded as simple arrangements of basic geometric volumes -- but that would be ignoring what is unique and magical about this work, and what separates Nonas from some of his peers like Andre and LeWitt. Coming from a background as a social anthropologist, Nonas is attuned to the potential energies of specific materials and configurations as generators of meaning, as evocations of feeling. In this regard he actually has more in common with Beuys than Andre. Each object or arrangement contains a sort of trigger -- some little "glitch" that opens a door beyond the formal, to a timeless well of human history and consciousness. This powerful installation creates a charged space that pulls us into its archetypal matrix, and puts us in touch with our fundamental humanity. 

Richard Nonas, installation view

Richard Nonas, installation view

Richard Nonas, installation view

Richard Nonas, installation view

Richard Nonas, Untitled, 2014, 33 x 16 x 4.5 inches, steel

Richard Nonas, Untitled, 1990, 9 x 5.5 x 8.5 inches, steel

Richard Nonas, Untitled, 1992, 7.5 x 30.25 inches, steel

Richard Nonas, Untitled, 1985, 10.5 x 12.25 x5.25 inches, steel

Richard Nonas, Untitled, 2009, 24 x 17 x 7.5 inches, wood

Richard Nonas, Untitled (First Series), 2014, 7 x 4 x 4 inches, steel

Richard Nonas, installation view

Richard Nonas, Hack, 1970, 42 x 41.5 x 9.5 inches, steel

Richard Nonas, Steel Drawing, 5 Plates: One Red, One Yellow, 1988, 71.5 x 123 x .75 inches, oil paint on steel

Richard Nonas, Untitled, 1975/2014, 80 x 64 inches, oil stick on paper

Richard Nonas, Untitled, 1970, 44.5 x 56 inches, carpenter's glue on butcher paper


In the Studio

Steven Alexander, Tracer #3, 2014, 36 x 32 inches, acrylic on canvas


Notes on Abstraction

There is a common misconception about abstraction that surfaced in a recent statement by a prominent practitioner of figure compositions:
"Completely abstract paintings, in which there is no figure, landscape, still life or other subject, are about composition itself. We see the paint as paint. We see the color and texture and value and the way paint was applied, the gestural touch of the painter's hand."

An abstract painting is not a design project. Accomplished abstraction is NEVER just "about composition itself". It participates in a long and diverse legacy of ontological investigation and proposition. It embodies, through specific resonances of color, configuration and physicality, a sense of place -- psychological, physical, existential. It proposes the potential for meaning through the agency of visual metaphor and presence. It reflects a cosmology that is not anthropocentric or dogmatic, but concerned with open and ineffable experience, and built upon ambiguity, speculation, and uncertainty.

A very abbreviated tour of abstraction through time: 

Ron Gorchov

Terry Winters

Brice Marden

Richard Long

Blinky Palermo

Forrest Bess

Joan Snyder

Louise Fishman

Richard Tuttle

Walter De Maria

Cy Twombly

Jasper Johns

Robert Rauschenberg

Joan Mitchell

Agnes Martin

Mark Rothko

Barnett Newman

Piet Mondrian

Kazimir Malevich

Paul Klee

Wassily Kandinsky

Tantric Painting, India, 20th century

Aboriginal Australia, 20th century

Weaving, Navajo, 19th century

Textile, Ghana, 19th century 

Tiebele, West Africa

New Mexico, circa 1200

Textile, Peru, circa 1200

Greek, 8th century BC

Minoan, 1800 BC


Cueva del Castillo, Spain, circa 40,000 BC

Images from the Internet